Criticism is the practice of judging the merits and faults of something.
Criticism is an evaluative or corrective exercise that can occur in any area of human life. Criticism can therefore take many different forms (see below). How exactly people go about criticizing, can vary a great deal. In specific areas of human endeavour, the form of criticism can be highly specialized and technical; it often requires professional knowledge to understand the criticism. This article provides only general information about criticism. For subject-specific information, see the Varieties of criticism page.
To criticize does not necessarily imply "to find fault", but the word is often taken to mean the simple expression of an object against prejudice, no matter positive or negative. Often criticism involves active disagreement, but it may only mean "taking sides". It could just be an exploration of the different sides of an issue. Fighting is not necessarily involved.
Criticism is often presented as something unpleasant, but sometimes, that may not be the case. There are also friendly criticisms, amicably discussed, and some people find great pleasure in criticism ("keeping people sharp", "providing the critical edge"). The Pulitzer Prize for Criticism has been presented since 1970 to a newspaper writer who has demonstrated 'distinguished criticism'.
Normally criticism involves a dialogue of some kind, direct or indirect, and in that sense criticism is an intrinsically social activity. Even if one is only criticizing a book or an idea in private, it is usually assumed there is someone who will be made aware of the criticism being expressed at some point, although who exactly will hear it, may also remain unknown. One is still engaging with the ideas of others, even if only indirectly. One can also keep a criticism to oneself, rather than express or communicate it, but in general the intention is, that someone else ought to be aware of it, however that may occur. Self-criticism, even if wholly private, still mentally takes the concerns of others into account.
Another meaning of criticism is the study, evaluation, and interpretation of literature, artwork, film, and social trends (see the article links below). The goal of this type of criticism is to understand the possible meanings of cultural phenomena, and the context in which they take shape. In so doing, the attempt is often made to evaluate how cultural productions relate to other cultural productions, and what their place is within a particular genre, or a particular cultural tradition.
This section is about the origin and evolution of the meanings of the expression "criticism".
Early English meaning
- The English word criticism is derived from the French critique, which dates back to at least the 14th century.
- The words "critic" and "critical" existed in the English language from the mid-16th century, and the word "criticism" first made its appearance in English in the early 17th century.
- In turn, the French expression critique has roots in Latin ("criticus" – a judger, decider, or critic), and, even earlier, classical Greek language ("krites" means judge, and "kritikos" means able to make judgements, or the critic). Related Greek terms are krinein (separating out, deciding), krei- (to sieve, discriminate, or distinguish) and krisis (literally, the judgement, the result of a trial, or a selection resulting from a choice or decision). Crito is also the name of a pupil and friend of the Greek philosopher Socrates, as well as the name of an imaginary dialogue about justice written by the philosopher Plato in the context of the execution of Socrates.
The early English meaning of criticism was primarily literary criticism, that of judging and interpreting literature. Samuel Johnson is often held as the prime example of criticism in the English language, and his contemporary Alexander Pope's Essay on Criticism is a significant landmark. In the course of the 17th century, it acquired the more general sense of censure, as well as the more specialized meaning of the "discernment of taste", i.e. the art of estimating the qualities and character of literary or artistic works, implicitly from the point of view of a consumer.
To be critical meant, positively, to have good, informed judgement about matters of culture (to be cultivated, to be a man or woman of distinction), but negatively it could also refer to the (unreasonable) rejection or (unfair) treatment of some outside group ("to be critical of them"). Derivatively, "a criticism" also referred to a nice point or a distinction, a tiny detail, a pedantic nicety, a subtlety, or a quibble (the sense of what today is called a "minor criticism"). Often criticism was governed by very strict cultural rules of politeness, propriety and decency, and there could be immediate penalties if the wrong words were said or written down (in 17th century England, more than half of men and about three-quarters of women could not read or write).
In the 19th century, criticism also gained the philosophical meaning of "a critical examination of the faculty of knowledge", particularly in the sense used by Immanuel Kant. (See Oxford English Dictionary). Such criticism was carried out mainly by academic authorities, businessmen and men of property with the leisure to devote themselves to the pursuit of knowledge.
In the 20th century, all these meanings continued, but criticism acquired the more general connotation of voicing an objection, or of appraising the pros and cons of something.
- The shape and meanings of criticism were influenced considerably by wars (including two world wars) occurring almost continuously somewhere in the world.
- With the growth of specializations in the division of labour, and the growth of tertiary education, innumerable different branches of criticism emerged with their own rules and specialized technical meanings.
- Philosophers such as Karl Popper and Imre Lakatos have popularized the idea that criticism is a normal part of scientific activity. Relatedly, "scientific criticism" has become a standard expression, just as much as "literary criticism".
- Gradually it was accepted that criticism is a normal process in a democratic society, rather than a sign of inadequacy, or something that should be strictly controlled or repressed.
From the 1970s onward, under the influence of neo-Marxism, critical theory and Michel Foucault, it became fashionable in the English-speaking academic social sciences and humanities to use the French word "critique", instead of the ordinary "criticism". The suggestion is that there is a difference between the two terms, but what exactly it is, is often not altogether clear. Often the connotation is that if a deliberation is a "critique" and not just a "criticism", then there is "a lot of extra thought and profound meaning" behind what is being said. A "critique" in the modern sense is normally understood as a systematic criticism, a critical essay, or the critical appraisal of a discourse (or parts of a discourse). Thus, many academic papers came to be titled or subtitled "a critique". From the 1970s, English-speaking academics and journalists also began to use the word "critique" not only as a noun, but as a verb (e.g. "I have critiqued the idea", instead of "I have criticized the idea"). What is often implied is, that "critiqueing" goes deeper into the issue, or is more complete, than "criticizing", possibly because the specialist criteria of a particular discipline are being applied.
- From the 1990s, the popular meanings of the word criticism have started to evolve more strongly toward "having an objection", "expressing dissent", "stating a dislike", "wanting to dissociate from something", or "rejecting something" ("If you liked it, you would not be criticizing it"). In the contemporary sense, criticism is often more the expression of an attitude, where the object of criticism may only be vaguely defined. For example, somebody "unlikes" something on Facebook or "unfriends" somebody.
- In general, there is less money in literary criticism, while it has become easier for anyone to publish anything at a very low cost on the Internet – without necessarily being vetted through critically by others.
- Professionally, "what it means to criticize" has become a much more specialized and technical matter, where "inside knowledge" is required to understand the criticism truly; this development is linked to the circumstance, that the right to criticize, or the propriety (appropriate use) of criticism, is regarded nowadays much more as depending on one's position, or on the context of the situation ("I would like to say something, but I am not in a position to criticize").
- Because many more people are able to travel to, or have contact with, worlds completely different from their own, new problems are created of how to relativize criticisms and their limitations, how to put everything into meaningful proportion. This affects what a criticism is understood to be, or to mean, and what its overall significance is thought to be.
- Digital information technology and telecommunications have begun to change drastically the ways people have for getting attention, or for being taken seriously. In turn, this has begun to change the ways people have for going about criticizing, and what criticism means for people.
- With more possibilities for sophisticated expression, criticism has tended to become more "layered". Beneath the observable surface presentation of criticism, which is freely advertised, there are often additional layers of deeper criticism. These are not directly accessible, because they require additional information, or insight into additional meanings. To gain access to the "whole story" about a criticism, and not just "part of the story", may be conditional on fulfilling certain entry requirements ("if you don't have the ticket, you don't get the knowledge").
- Together with the ability to make finer distinctions of meaning with the aid of digital equipment, the possibilities for ambiguity in criticism have increased: is a criticism being implied, or is it not, and if so, what exactly is the criticism? It can take more effort to unravel the full story.
Criticism can be:
- directed toward a person or an animal; at a group, authority or organization; at a specific behaviour; or at an object of some kind (an idea, a relationship, a condition, a process, or a thing).
- personal (delivered directly from one person to another, in a personal capacity), or impersonal (expressing the view of an organization, and not aimed at anyone personally).
- highly specific and detailed, or very abstract and general.
- verbal (expressed in language) or non-verbal (expressed symbolically, or expressed through an action or a way of behaving).
- explicit (the criticism is clearly stated) or implicit (a criticism is implied by what is being said, but it is not stated openly).
- the result of critical thinking or spontaneous impulse.
Different kinds of criticisms can be distinguished as types using the following criteria:
- Point of view from which the criticism is made ("in what framework", "from what angle or perspective" is the criticism made).
- Content of criticism, what it consists of ("what" is the criticism).
- Purpose, motive, use or function of criticism ("why" is the criticism being raised, what is its aim).
- Form of criticism, language used or medium of expression (in what "style" or format is the criticism presented).
- Method of delivery, transmission or communication for the criticism ("how", or by what means, is the criticism conveyed).
- Type of critic or the source making the criticism ("from whom" criticism originates).
- Target or object of the criticism (criticism "of whom" or criticism "of what").
- Context, place, setting or situation for the criticism ("where" is the criticism being made).
- Recipients or audience of the criticism, intended or unintended (criticism directed or addressed "to where" or "to whom").
In dealing with criticisms, usually the most important aspects are who makes the criticism, what the criticism is about, and what or whom it is aimed at. It can also make a big difference though whether a criticism is e.g. communicated in person, or whether it is communicated with a letter or telephone message.
For an overview of criticisms from particular political or philosophical perspectives, see Varieties of criticism. For subject-specific information, see the critical pages on art, film, literature, theatre, or architecture.
In general, the psychology of criticism studies the cognitive and emotional effects of criticism, the behavioral characteristics of criticism, and its influence on how people are reacting.
Area of study
The psychology of criticism is primarily concerned with:
- the motivation, purpose or intent which people have for making criticisms – healthy or unhealthy.
- the meaning of criticism for the self, and for others – positive or negative.
- the effect which criticism has on other people – good or bad.
- how people respond to criticisms, or cope with them – negatively or positively.
- the quantity and quality of criticism required to achieve the desired effect or outcome.
- the form in which criticisms are delivered – effective or ineffective.
- how people learn to give and receive criticism successfully.
- the sublimation, repression or denial of criticism.
Parents, teachers, lawyers, managers and politicians are often concerned with these issues, because it can make a great deal of difference to how problems are tackled and resolved.
The motivation as well as the effect of criticism may be rational, or it may be non-rational or arbitrary; it may be healthy or unhealthy.
When psychologists study criticism as a type of human behavior, they do not usually study it "in general" – such a general study is often considered to be more a philosophical concern. Psychologists usually study it in specific contexts and situations. The reason is partly technical (it is difficult to construct and prove universal generalizations about criticism as a human behavior) and partly practical (it is more useful to understand particular behaviors which are of direct practical concern).
The most basic rule
The most basic "rule-of-thumb" of criticism which psychologists usually recommend is:
- "Respect the individual, focus the criticism on the behavior that needs changing – on what people actually do or actually say."
The thought behind this basic norm for criticism is:
- If individuals are attacked for their personal characteristics (for "being who they are") it may be impossible for them to change, therefore making the criticism useless.
- If it is not actually clear what the person does, or what he is really saying, the criticism may miss the mark. By concentrating clearly and only on observation of what the individual as a matter of fact does or says, it is less likely, that the criticism will be misplaced, confused or misinterpreted; it is less likely, that the person being criticized is being misunderstood. It would be unfair and unjust, not to say irrelevant, to criticize people for something they have not actually done. It would be a false accusation.
- Inversely, if the individuals are respected with a bit of humor, and due credit is given to their positive intentions as human beings, it is vastly more likely that the criticism will be understood, and taken seriously. And if the criticism is clearly directed only to "what people actually do" that is wrong, instead of "who they are", it creates possibilities, options and choices for doing something different and better. They can't change who they are, but they can change their actions. Because people's sense of dignity is secure in this case, they are better able to respond to the criticism, and indeed do something about it.
The critics may just want to provoke or vent a bit of hostility, but it might backfire, because the people criticized may make a nasty response. The nasty response may "prove" to the critics, that the criticism was justified, but the critics have brought this on themselves, they have produced their own nastiness. It is easy to do, but may be difficult to live with. In the process, the whole point of the criticism may be lost – all that happens is, that there is a quarrel between people who just vent their hostility. This is very unlikely to produce any solution that all concerned can live with.
The basic psychological rule of criticism assumes that people want to use criticism to achieve an improvement, usually "in good faith" (bona fide). It assumes the critic has a positive intention in making the criticism. The rule may not make much sense if there is an all-out war going on, where the opposition is just trying to destroy and discredit the target as much as possible, using almost any means they can find. Nevertheless, psychologists recommend to respond by attacking what the opponents actually do, not who they are. That way, the critic cannot be accused of unfair or prejudiced treatment of others.
The basic rule is not always easy to apply.
- It may be difficult to have respect for somebody who is the target of criticism, especially if there is a history of grievances.
- It may be that it seems as though people are being respected, but in reality (if you understand the full meaning) they are being disrespected. It might look formally like they are treated as equals, but in reality (informally speaking, practically and substantively) they are being denigrated.
- It may be difficult to consider the action which is being criticized, in its own right, separately from the person ("only you could do something awful like this to me").
Consequently, psychologists often recommend that before a criticism is being stated to a person, the critic should try to get into rapport with the person being criticized ("get in sync" with the other person, "on the same wavelength"). If that is not possible (because they are enemies), the best thing may be not to express the criticism at all, or get a mediator. It may take considerable strategy in order to find a way of making a criticism, so that it "really hits home". Rather than "shooting their mouth off", it may be wise if people say nothing, until the right time and place arrives to make the criticism.
One problem at the receiving end is that a criticism may be taken more seriously than it really merits, or that it is taken "too personally", even though that was not the intention of the critic. Criticisms are often voiced without knowing exactly what the response will be. It may be that this problem cannot be entirely removed; the best one can do is to judge, on the basis of experience, what would be the most likely effect of the criticism, and communicate the criticism as well as one can.
Another sort of problem is the limited attention span of individuals. To express a criticism may require detailed explanation or clarification; it presupposes that the knowledge exists to understand what it is about, and that people are willing to listen. That takes time, and the time may not be available, or people are reluctant to take the time. This can get in the way of the mutual respect required. It may be possible to overcome this problem only by formulating the criticism as briefly as possible, and communicate it in a form which takes the least time to understand it. Failing that, people must "make time" to discuss the criticism. It can take considerable effort to create the situation in which the criticism will be "heard".
Exception to the rule
The exception to the basic psychological rule consists of cases where, it is argued, the individuals and their behaviors cannot be distinguished. This would be the case, for example, if the criticism itself consisted of "being there" (intruding, trespassing, causing property damage), or "not being there" (non-response).
In some cases people deliberately seek "loopholes" in the ordinary rules and channels for criticism, in order to make a criticism which, although strictly not illegal, may have a malicious intention, or offends the target of the criticism. That can cause the ordinary consideration which people have for others to be abandoned. What is legitimate and illegitimate criticism is not always easy to establish, and there may be "grey areas" in the law. It is rarely possible to make rules for every detail of what people may or may not do. The law itself can also be contested with criticism, if it is perceived as unfair. Nevertheless, the courts usually draw the line somewhere.
Learning to criticize
The ability to criticize is something which rarely occurs naturally; it must be learnt. Good critics exhibit several kinds of qualities:
- Insight: critics should clearly understand why they are criticizing.
- Attitude: critics should be emotionally confident and morally comfortable, both about making a criticism, and about dealing with the response to criticism.
- Inquiry: critics should be willing to question authority, popular opinion, and assumptions.
- Knowledge: critics should research the subject of their criticism to maintain the factual integrity of their criticism.
- Skills: critics should choose and apply the correct kind of criticism to an issue, so that the criticism will be balanced, complete and persuasive. Critics require adequate skills in reasoning, research, and communication.
- Integrity: critics should remain consistent and honest before, during, and after a criticism is expressed.
These qualities are learned through practical experience in which people have a dialogue or debate and give each other feedback. Often, teachers can design assignments specifically to stimulate students to acquire these qualities. But the facility for critical thought usually requires some personal initiative. There are plenty of "lazy critics", but one must work hard to be a good critic. The lazy critic is soon forgotten, but a good critic is remembered for years.
With criticism it is always important to keep things in proportion, neither overdoing things, nor being too timid.
- People can be too critical, but they can also be insufficiently critical. It is important to strike a good balance: to be neither excessively critical nor completely uncritical.
- People who are too critical and focus only on the downside or limitation of things run into the problem that others perceive them as being "too negative", and lacking a "constructive attitude". If there is too much criticism, it gets in the way of getting anything done – people are just "anti", but "it does not lead anywhere".
- People who are uncritical, however, are often regarded as naive and superficial ("suckers"); they lack discernment, they are prone to being deceived and tricked, because they readily believe all kinds of things, which they should not accept just like that, for their own good. If they thought more critically, they would not give in so easily to what others say or do. The idea here is that "one should not be so open-minded that one's brains fall out."
An important reason why balanced criticism is desirable is, that if things get totally out of proportion, the critics or their targets can lose their balance themselves. Criticism can wreak havoc, and therefore people have to know how to handle it from both ends. If the criticism is balanced, it is more likely to be successful, or, at any rate, it has more credibility.
Effect on others
When psychologists analyze the effect of criticism on others, they are concerned with how people respond to criticism (cognitively and emotionally), and how criticism influences the recipient's behavior.
Positive and negative effects
When people criticize, it can have a fruitful, enriching and constructive effect on the recipient, because new ideas and viewpoints may be generated in trying to solve a problem.
People can also be hurt by criticisms, when they experience the criticism as a personal attack. Psychologists concerned with human communication, such as therapists, therefore often recommend that people should choose the right words to express their criticism. The same criticism can be raised in different ways, some more successful than others.
If people formulate their criticism in the right way, it is more likely that other people will accept it. If the criticism is badly expressed, people might reject it, not because it is wrong in itself, but because they do not like being talked to in that way. Even if the content of a criticism is quite valid, the form in which it is expressed may be so counter-productive, that the criticism is not accepted. The content may be something that people can work out on their own, but the form concerns the social relationship between people.
Main article: Feedback § Social_sciences
The term "feedback" is often used instead of criticism, because "feedback" may sound more neutral, while criticism may seem to be about "finding fault". A more polite language may be used when there are issues of authority and obedience ("who has to follow whom"), as well as the need for cooperative teamwork to get a job done ("constructive collegial attitude"). The question is often "who controls the feedback", "who is allowed to criticize", "who owns the problem" and "who is to do something about the problem". It may be that managers educate employees to employ a more positive and professional language, in order to get them to see things in a way that is more productive for the enterprise.
Especially educators, but also e.g. lawyers, managers and politicians are very concerned with the quality of criticisms. People might raise all kinds of objections and criticisms, but how good are they? Criticisms can be just "noise". They can also be a nuisance if they are misdirected, they get in the way of getting things done.
Ideally, a criticism should be:
- timely, not too early nor too late.
- brief and succinct, with a clear start and a finish, not endless.
- relevant and to the point, not misplaced.
- clear, specific and precise, not vague.
- well-researched, not based on hear-say or speculative thought.
- sincere and positively intended, not malicious.
- articulate, persuasive and actionable, so that the recipient can both understand the criticism and be motivated to act on the message.
Not all criticisms have all these features, but if one or more of them is missing, the criticism is less likely to achieve its goal. Almost all guidelines for criticism mention these seven points, although in particular contexts their meaning may be more exactly specified (for example, what it means to be "articulate and persuasive" can vary according to the circumstances).
Logically, there are just as many ways to get a criticism wrong as to get the criticism right.
- Criticism is made at the wrong time and place: people might accept that the critic has a point, but "they can't do anything about it now."
- Criticism is too long: people get confused over what it is all about, they get lost in it, and become disoriented.
- Criticism is vague: people are likely to say, "so what"?
- Criticism is inappropriate, or the critic is not really in a position to make it: people will say "you're way out of line".
- Criticism has no clear target: people are likely just to conclude that "so-and-so is in a bad mood right now" or "he's had too much of it."
- Criticism assigns blame or states problems without suggesting solutions ("empty criticism"): people are likely to conclude this information is not very useful.
- Critic did no research before making the criticism: people will say, "very interesting, but this cuts no ice."
- Criticism has no clear motivation: "why are you telling me this, and why are you telling me about it now?".
- Critic makes bad criticisms regularly: it discredits the critic.
The main effect of lousy criticism is usually that, rather than clarifying things, it becomes disorienting or confusing to people. Therefore, lousy criticism is usually regarded as unhelpful, or as an unwanted distraction getting in the way of things. The only thing a lousy criticism achieves is to make it clear that somebody has an objection (although the objection is not well-taken).
Techniques of constructive criticism
Techniques of constructive criticism aim to improve the behavior or the behavioral results of a person, while consciously avoiding personal attacks and blaming. This kind of criticism is carefully framed in language acceptable to the target person, often acknowledging that the critics themselves could be wrong. Insulting language and hostile language are avoided, and phrases are used like "I feel..." and "It's my understanding that..." and so on. Constructive critics try to stand in the shoes of the person criticized, and consider what things would look like from their perspective.
Giving and receiving the message
Some people are not open to any criticism at all, even constructive criticism. Also, there is an art to truly constructive criticism: being well-intentioned is neither a necessary nor sufficient condition for constructively criticizing, since one can have good intentions but poor delivery ("I don't know why my girlfriend keeps getting mad when I tell her to stop with the fries already; I'm just concerned about her weight"), or egocentric intentions but appropriate delivery ("I'm sick of my subordinate coming in late for work, so I took her aside and we had a long, compassionate talk about her work-life balance. I think she bought it."). As the name suggests, the consistent and central notion is that the criticism must have the aim of constructing, scaffolding, or improving a situation, something which is generally obstructed by hostile language or personal attacks.
People can sometimes be afraid to express a criticism, or afraid to be criticized. Criticism can "press all the wrong buttons." The threat of criticism can be sufficient to silence people, or cause them to stay away. So self-confidence can play a big role in criticism – the confidence to criticize, and the confidence to face criticism. If people's emotions are not properly considered, criticism can fail to succeed, even although it is well-intentioned, or perfectly sensible. Hence criticism is often considered an "art", because it involves human insight into "what one can say and cannot say" in the given situation.
One style of constructive criticism employs the "hamburger method", in which each potentially harsh criticism (the "meat") is surrounded by compliments (the "buns"). The idea is to help the person being criticized feel more comfortable, and assure the person that the critic's perspective is not entirely negative. This is a specific application of the more general principle that criticism should be focused on maintaining healthy relationships, and be mindful of the positive as well as the negative.
The psychopathology of criticism refers to the study of unhealthy forms of criticism, and of unhealthy kinds of response to criticism. Psychologists often associate these with particular categories of mental disorders, especially personality disorders, as classified in the U.S. Diagnostic and Statistical Manual of Mental Disorders (this manual is also used in other countries, although the forms of personality disorders can be somewhat different in different countries, reflecting ethnic differences and differences in social systems).
- Low self-esteem: emotionally vulnerable individuals that are often excessively sensitive to criticism, or to being defeated, they can't handle it.
- Narcissistic personality disorder: although they may not show it outwardly, criticism may "haunt" or leave them feeling humiliated, degraded, hollow, and empty. They may react with disdain, revenge, narcissistic rage, or defiance.Narcissists are extremely sensitive to personal criticism and extremely critical of other people. They think they must be seen as perfect or superior or infallible or else they are worthless. There's no middle ground.
- Paranoid personality disorder: these people are often rigidly critical of others, but have great difficulty accepting criticism themselves.
- Avoidant personality disorder: these people are hypersensitive to criticism or rejection. They build up a defensive shell. If the criticism seems to imply something bad about them, a defensive shell immediately snaps into place.
- Dependent personality disorder: individuals that will often apologize and "self-correct" in response to criticism at the drop of a hat.
- Hypercriticism: these people are often regarded as anal retentive or nitpickers (see nagging). Nitpickers engage in minute, trivial, and unjustified faultfinding to excess. Nagging means endless scolding, complaints, and faultfinding.
- Hypocriticism: these individuals are hypocrites who criticize and accuse others about the vice that they are guilty of themselves.Hypocrisy contains some kind of deception, and therefore involves a kind of lying.
To understand pathological criticism and pathological responses to criticism, it is often not sufficient to see the individuals concerned in isolation – they should be placed in the total context in which the criticism or the response to it occurs. Particular situations can "bring out" the "bad side" of people, which in the normal run of events would not occur. Pathological criticism occurs especially in situations of intense conflict or competition, where the normal internal and external controls on people's behaviour begin to break down. Not just personal change but also a "change of scene" may be required to get rid of the disorder.
A term describing pathologic criticism may be used as argumentum ad hominem without proven diagnosis (see also anti-psychiatry movement).
Main articles: Anti-psychiatry and Political abuse of psychiatry
The anti-psychiatry movement opposes labeling persons who engage in criticism as having a "disease" (or "abuse" or "addiction").
- The medicalization of criticism rejects the criticism as a disease. The critics are silenced, and their viewpoint is denied. They are regarded as incapable of sensible criticism, but their disease often cannot be proved – other than saying that voicing a criticism in a certain way is proof of a disease.
- Why exactly a criticism is "unhealthy" can be difficult to prove, nevermind its rights or wrongs – it could be subjective interpretation, a matter of personal likes and dislikes, or a matter of point of view. What is "healthy" or "unhealthy" might depend on the context, or on how it is understood.
- People labelled as "ill" cannot be held morally responsible for their critical utterances, but people can often choose their own behaviour with regard to criticism, and they should take responsibility for their own behaviour, if they can practically do so.
- Even if it is possible to kill the criticism with a pill, the cause or the target of the criticism may not go away. A bad situation may remain; the only difference is that somebody is doped sufficiently, so that no overt criticism is made or received.
Confronted with unhealthy criticism or unhealthy responses to criticism, it may be unwise to get scared, and it may be unnecessary to run to the doctor straightaway. It may be sufficient to talk it out, even if it is not the most pleasant discussion. If people are simply labelled "ill", they get away with behaviour that, arguably, they ought to be taking responsibility for, themselves. It should not be too easily assumed that people are incapable of making conscious choices about their own behaviour, unless they are deranged (crazy), in great pain, extraordinarily confused, heavily intoxicated, or in some way trapped or locked down.
Criticism can cause harm as well as good things. Criticism can hurt or people can feel offended. It can “upset the apple cart”, cause chaos, or do real damage. For these reasons, people often try to keep the flow of criticism under control with rules. Such rules often state:
- Who has the right to criticize, and who isn’t allowed to criticize.
- Who or what can be criticized, and who or what cannot be criticized.
- What sorts of criticism are acceptable.
- When and how the criticism may be made (the appropriate situations and formats for criticism).
- What counts as an appropriate motivation for criticism.
These rules can be successful if people accept them, and work with them. But it can also happen that a criticism can only be made “against the rules.” In that case, a conflict can develop between the critics and the people in charge, where the authorities try to enforce the rules, and the critics try to make their criticism regardless. The conflict could be ended in many different ways; but usually it is difficult to suppress a valid criticism altogether, permanently. A lot of critical activity may consist simply of a battle to get one’s ideas taken seriously.
Here the purpose of criticism and its relative merits in particular situations are discussed.
Criticism may not be a positive response to an individual, action, or belief in all circumstances. There are two reasons that this might be the case:
- The recipient of the critique may be hurt by it. This is particularly true when the object of criticism is personal (a political or religious belief, for example) or when the critique is composed in a malicious way, rather than in an attempt to improve the recipient.
- The critique may not result in any positive change. If the critique is not written in a persuasive manner, if the recipient of the criticism isn't willing to acknowledge their faults, or if the recipient lacks the resources needed for change, then the critique will not have an impact.
However, there are also significant reasons why a critique may be necessary or desirable in particular situations.
- Diagnosis and error correction: critiques identify the limitations of the object of criticism. A film critic, for example, might discuss the extent to which a particular film was able to communicate a theme. Criticisms also identify prejudices, biases, and hidden assumptions.
- Improvement: by evaluating the ability of an individual, action, or idea to accomplish a given objective, critiques identify possible improvement areas. Criticisms may also present alternative perspectives or suggestions, both of which facilitate improvement.
- Ethical implications: critiques of societal norms or public policies have the potential to effect a large number of people in a profound way and are thus ethically desirable.
- ^Raymond Williams, Keywords: a vocabulary of culture and society. Fontana, 1976, pp. 74–76.
- ^"Module: Critical thinking". Philosophy.hku.hk. Retrieved 2013-11-17.
- ^Andale Gross and Tammy Webber, "Prosecutor faces new criticism over Ferguson case." The Seattle Times, 26 November 2014.
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Taking criticism can be a difficult thing. At some point in this arts world so dependant on reviews and opinions, you will encounter a customer or audience member – maybe even a reviewer – who wants to tell you how to do things better. It can be hard to deal with; after all, nobody likes to be told they're wrong. But it's not all bad news because sometimes you can use criticism to give you a competitive edge.
Criticism is a form of communication
If someone has a criticism it means they want to give you feedback on what you're doing for them – that means an opportunity to learn more about the person who you're working for and how to convert them into a satisfied customer or audience member. Take a moment to think before you respond to what they're saying – in business, working with someone who is patient and able to receive and act on criticism means both parties can work towards a better outcome. For a play or production, it might mean getting to know what your audience actually want.
Feedback helps make your product stronger
If you always think you're right but don't get feedback from anyone else, how do you know for sure that what you're doing is any good? Whether you're selling or performing, whether it's a product or service, listening and acting on those honest views will tell you precisely what's good and what can be done better. Use that information to change your performance, service, exhibition or event – sometimes it will make for uncomfortable listening but it can make your product stronger as a result.
It forces you to think about how you work
Constructive criticism can guide you away from bad practices and towards good ones. Try to be objective and look at what you're providing as though it's not yours. This can be particularly difficult when you're deeply involved in a project but, if you can take a step back, you might see how to improve your way of working and avoid any negative outcomes down the road. Did you need a more specific brief? Was there something you missed in the early stages of the project? Is the performance deadline too unrealistic?
The right kind of criticism can give you an advantage
Think about it: if you can get a customer to tell you – and just you – how to give them the perfect product or service, that's information you've got that no one else has. That puts you at an advantage over anyone else in your sector and can be used again in the future to get things right, even faster. Find ways to squeeze that information from your client or audience and get them to tell you what they really want.
Use positive language, elicit a solution
The language you use in response to criticism is vitally important. Try to avoid getting into an argument. Instead, turn the exchange into a discussion about how to resolve the problem. This way you're still in a position to get paid and you'll waste less time guessing how to put things right. Consider phrases like:
"OK, so you'd like to see this design changed – what would you say is the main thing that ought to be different?"
"I can see why you say that. Let me tell you why I did it this way."
"I've thought about what you said and what I'm going to do is..."
Turn your words into action to show that you can listen to feedback, respond in the correct way and still get the job done.
Don't take it personally
Don't take it personally if someone doesn't immediately like your work. Even if you feel you're being criticised unfairly, don't retaliate with an extreme knee-jerk reaction or else you can irreparably damage your prospect of working with that client or audience and can even harm your reputation as well.
There will be occasions when you feel the criticism is personal and, now and then, you'll be right. People are fallible and it's important to remember to not be offended by someone's remarks. However, a good professional is able to take criticism on board and not respond as though it's a personal attack. They are also able to make it work to their advantage or, if all else fails, politely conclude the partnership and leave with their reputation intact.
This content was originally published by Creative Boom – follow them on Twitter @Creative_Boom
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